Books & Music
I like to search out a regional book or two to accompany my travels. In Thailand I read Bangkok Wakes to Rain by Pitchata Sudbanthad. Set in the 19th century colonial era, fast-forwarding to post-WWII coming to terms family drama, then again to a not-too-distant dystopian future when global warming and rising tides has enveloped much if the city with rivers. (I say nit-too-distance because you may recall my early blog about meeting new friends for lunch at a riverside restaurant where the entry was ankle-deep in water and we walked narrow gangplanks to a stairway that took us up to the dining area in the 2nd floor).
In Laos, my Aussie-friend, Sue, tipped me to the murder mystery The Coroner’s Lunch, first in a series in the 70s that also served to poke fun at the idealistic albeit inefficient and supply-starved Communist government at the time.
In Vietnam, I listened to Ho Chi Minh’s remarkable autobiography which hardly prepared me for the visit to his expansive mausoleum, museum and gardens in the center of Hanoi. I plan to expand on this in a separate blog which I’ve drafted, along with several others, promising myself that I’ll find time to polish and publish them. (Hopefully during these hot 90+ afternoons in Siem Reap (Cambodia) when air-conditioning is my go-to though, so far, I find napping to be my default.)
Here, my reading has been focus on history: the 600-hundred-year (802-1431AD) highly-advanced Anghor Civilization (Khmer Empire) contrasted with the tragic 4-year reign of terror waged by the Khmer Rouge from 1975-1979 when an estimated 2-million people were tortured and murdered. (You may remember the 1984 movie “The Killing Fields”, a movie you’d prefer not to remember even as it’s imperative that we must never forget.)
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As I write this, I’m listening to a Spotify soundtrack of Cambodian/Kymer traditional music (and such 60s psychedelic hits like: “Old Pot Still Makes Good Rice”, an accompanying routine I’ve developed as I travel the world.
Eastern music is so counter-to Western music in ways I really can’t describe. Leave it to the musicologists. Suffice to say it transports me even more deeply into the here and now where I walk, where I live and where I now sleep, both soothed and disturbed by my always other-worldly dreams.